[nilesh]

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Hii sir, I Wants to get the Reading Comprehensive Question of the LSAT Exam Will you please provide It ?

[Vishal Kotkar]

The Law School Admission Test (LSAT) is a half-day standardized test administered four times each year at designated testing centers throughout the world. Administered by the Law School Admission Council (LSAC) for prospective law school candidates, the LSAT is designed to assess reading comprehension, logical, and verbal reasoning proficiencies

the Question Paper of the LSAT Exam of the Reading Comprehensive is given below is As Follow

Question Paper of the LSAT Exam of the Reading Comprehensive
Directions:
Each set of questions in this section is based on a single passage or a pair of passages. The questions are to be answered on the basis of what is stated or implied in the passage or pair of passages. For some of the questions, more than one of the choices could conceivably answer the question. However, you are to choose the best answer; that is, the response that most accurately and completely answers the question, and blacken the corresponding space on your answer sheet.
Passage for Questions 1, 2, and 3
The painter Roy Lichtenstein helped to define pop art—the movement that incorporated commonplace objects and commercial-art techniques into paintings—by paraphrasing the style of comic books in his work. His merger of a popular genre with the forms and intentions of fine art generated a complex result: while poking fun at the pretensions of the art world, Lichtenstein’s work also managed to convey a seriousness of theme that enabled it to transcend mere parody.
That Lichtenstein’s images were fine art was at first difficult to see, because, with their word balloons and highly stylized figures, they looked like nothing more than the comic book panels from which they were copied. Standard art history holds that pop art emerged as an impersonal alternative to the histrionics of abstract expressionism, a movement in which painters conveyed their private attitudes and emotions using nonrepresentational techniques. The truth is that by the time pop art first appeared in the early 1960s, abstract expressionism had already lost much of its force. Pop art painters weren’t quarreling with the powerful early abstract expressionist work of the late 1940s but with a second generation of abstract expressionists whose work seemed airy, high-minded, and overly lyrical. Pop art paintings were full of simple black lines and large areas of primary color. Lichtenstein’s work was part of a general rebellion against the fading emotional power of abstract expressionism, rather than an aloof attempt to ignore it.
But if rebellion against previous art by means of the careful imitation of a popular genre were all that characterized Lichtenstein’s work, it would possess only the reflective power that parodies have in relation to their subjects. Beneath its cartoonish methods, his work displayed an impulse toward realism, an urge to say that what was missing from contemporary painting was the depiction of contemporary life. The stilted romances and war stories portrayed in the comic books on which he based his canvases, the stylized automobiles, hot dogs, and table lamps that appeared in his pictures, were reflections of the culture Lichtenstein inhabited. But, in contrast to some pop art, Lichtenstein’s work exuded not a jaded cynicism about consumer culture, but a kind of deliberate naivete, intended as a response to the excess of sophistication he observed not only in the later abstract expressionists but in some other pop artists. With the comics—typically the domain of youth and innocence—as his reference point, a nostalgia fills his paintings that gives them, for all their surface bravado, an inner sweetness. His persistent use of comic-art conventions demonstrates a faith in reconciliation, not only between cartoons and fine art, but between parody and true feeling.
Question 1
Which one of the following best captures the author’s attitude toward Lichtenstein’s work?
enthusiasm for its more rebellious aspects
respect for its successful parody of youth and innocence
pleasure in its blatant rejection of abstract expressionism
admiration for its subtle critique of contemporary culture
appreciation for its ability to incorporate both realism and naivete

Question 2
The author most likely lists some of the themes and objects influencing and appearing in Lichtenstein’s paintings (middle of the last paragraph) primarily to
show that the paintings depict aspects of contemporary life
support the claim that Lichtenstein’s work was parodic in intent
contrast Lichtenstein’s approach to art with that of abstract expressionism
suggest the emotions that lie at the heart of Lichtenstein’s work
endorse Lichtenstein’s attitude toward consumer culture



Question 3
The primary purpose of the passage is most likely to
express curiosity about an artist’s work
clarify the motivation behind an artist’s work
contrast two opposing theories about an artist’s work
describe the evolution of an artist’s work
refute a previous overestimation of an artist’s work